Stone carving is an art form in India that goes back hundreds of years and has a long and interesting past. It is found all over the country, and each part of the country has its own style. Stone carving is an art form in which complex designs, patterns, and motifs are carved or sculpted onto stone surfaces to make beautiful and artistically expressive pieces.
In India it is also known as “Paththar Ki Nakkashi” and found in almost places of the country. “Paththar Ki Nakkashi,” also known as “Pathar Ki Sanat,” refers to the traditional art of stone carving in India. “Paththar” means “stone” in Hindi, and “Nakkashi” or “Sanat” refers to the act of carving or engraving. Paththar Ki Nakkashi has been used for adorning architectural structures, temples, sculptures, and decorative objects.
The Indus Valley Civilization, which thrived from 3000 BC to 2000 BC, has some of the oldest examples of stone carving in India. These carvings show animals, plants, and people in a realistic style. Stone carving was still done in ancient India, and some of the most famous examples from this time can be seen in the shrines of Khajuraho and Ellora. The Hindu gods, mythical animals, and erotic scenes carved into these temples are very detailed.
The art of stone carving in Odisha is prominently displayed in the temples of Bhubaneswar, such as the Lingaraja Temple, the Mukteshwar Temple, and the Rajarani Temple. These architectural marvels exhibit elaborate and complex carvings that depict various deities, celestial beings, animals, and mythological storylines. The peak of stone carving in Odisha was observed throughout the 16th and 17th centuries, along with the rule of the Gajapati monarchs.
The Sun Temple of Konark, renowned for its exceptional stone carving, was constructed during the 13th century in the region of Odisha. The Jagannath Temple in Puri serves as a prominent illustration of the exceptional stone carving expertise prevalent in the region of Odisha. The chariot wheels, pillars, and friezes of this artifact are adorned with elaborate carvings that portray a variety of scenes derived from Hindu mythology.
Stone carving was very popular in India during the Mughal Empire (16th-18th century). The Mughals were known to be art enthusiasts, and as a result, they had many stunning stone carvings commissioned for their palaces and mosques. The Taj Mahal, the Jama Masjid in Delhi, and the Agra Fort are some of the most well-known and impressive specimens of stone carvings from their time.
Stone carving continued to be practiced in India after the Mughal Empire, but it declined in popularity in the 19th century. This was due to a number of factors, including the rise of new technologies, such as photography and printing, and the decline of patronage from the royal courts. However, stone carving has seen a resurgence of interest in recent years, and there are now many talented stone carvers working in India.
Various stones are used, such as marble, granite, limestone, sandstone, and soapstone. Each type of stone has its unique qualities, textures, and levels of hardness.
Tools include chisels, hammers, rasps, mallets, drills, and carving knives. Modern advancements have introduced electric tools for faster and more precise carving.
Stone carving can create a wide range of sculptures, from lifelike figures and intricate patterns to abstract forms. It’s often used for statues, reliefs, decorative pieces, and architectural ornamentation.
Famous examples include the intricate carvings of Khajuraho Temples, the impressive sculptures of Ellora Caves, the Lingaraja Temple, the Mukteshwar Temple, the Rajarani Temple in Bhubaneswar, The Jagannath Temple in Puri and the Sun Temple’s exquisite carvings in Konark.
Indian stone carvings often depict religious deities, mythological stories, spiritual symbols, animals, and nature. The themes convey cultural, spiritual, and historical narratives.
Yes, stone carving is considered environmentally friendly as it uses natural materials. Many artists and workshops also emphasize responsible sourcing of stones to minimize environmental impact.
While hand tools remain essential, electric tools have become valuable for speeding up certain stages of the carving process without compromising the intricate detailing.
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